Hiroshi Sugimoto’s exhibition, ‘Optical Allusion,’ at the Lisson Gallery in New York, showcases his ability to create mesmerizing and abstract compositions that rival those of modernist painters. Sugimoto’s work is unique because each image captures an entirely natural phenomenon. Despite this, his photographs possess a quality that is reminiscent of paintings, with their bold use of color and captivating compositions. The title of the show, ‘Optical Allusion,’ is thought-provoking as it delves into the subjective nature of photography. Sugimoto highlights that every individual perceives color differently, whether influenced by physiological factors or cultural associations.
In Optical Allusion, Hiroshi Sugimoto challenges the notion of photography as a purely objective medium. His photographs remind us that even though they capture moments from reality, they are ultimately filtered through the photographer’s subjective lens. Sugimoto’s ability to transform natural phenomena into abstract compositions blurs the line between photography and painting. Using color, light, and composition, he creates images that evoke emotions and invite viewers to question their perception of reality.
One of the key ideas behind ‘Optical Allusion’ is that color perception varies among individuals. Sugimoto acknowledges the physiological and cultural factors that influence how we perceive color. By exploring this subjectivity, he prompts viewers to reflect on their interpretations of his photographs. Each person may experience a different emotional response or find different meanings in the colors presented in Sugimoto’s work. This exploration of subjectivity adds depth and complexity to his already visually stunning images.
The exhibition occurs at the Lisson Gallery on West 24th Street in New York City from May 2nd to August 2nd, 2024. Visitors to the gallery will be able to immerse themselves in Sugimoto’s thought-provoking photographs and witness firsthand how he transforms natural phenomena into abstract compositions. The space becomes a platform for engagement and dialogue, as viewers are invited to contemplate the subjective nature of photography and its relationship to our perception of color and reality.
Hiroshi Sugimoto’s exhibition, ‘Optical Allusion,’ at the Lisson Gallery in New York, showcases his ability to create stunning and abstract compositions that challenge the boundaries of photography. Through his exploration of color perception and the subjective nature of photography, Sugimoto prompts viewers to question their understanding of reality. By blurring the line between photography and painting, he invites us to see beyond the surface and delve into the deeper layers of meaning within each image. ‘Optical Allusion’ is a captivating exhibition demonstrating Sugimoto’s mastery of his craft and ability to provoke thought and reflection.
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